Subject: The Moving Of Large Stones. Part 2 of 2.
June 11, 2006.
The first part of this material was posted on June 8, 2006.
This part covers ancient crafts that were flown in India
many thousands of years ago.
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Tibetan Monks In one account, in 1969, a Swedish man named
Dr. Jarl, a graduate of Oxford University in England and
member of the English Scientific Society was invited by a
former college friend to visit Tibet, where his friend was
studying under a senior lama. During a visit at a monastery to
the southwest of Lhasa, Jarl witnessed a group of monks under
tutelage of the lama move a stone that was (according to
Jarl) 1.5 meters long, 1 meter high, and 1 meter wide. The
stone was moved from a meadow to what appeared to be the
opening of a cave over 250 meters above. In fact it wasn't
a cave, but a massive rock wall that the monks had been
building. Kjellerson is quoted as describing how the rocks
were made to levitate thus:
In the middle of the meadow, about 250 metres from the
cliff, was a polished slab of rock with a bowl like cavity
in the center. The bowl had a diameter of one meter and a
depth of 15 centimeters. A block of stone was manoeuvred
into this cavity by Yak oxen. The block was one meter wide
and one and one-half meters long. Then 19 musical
instruments were set in an arc of 90 degrees at a distance
of 63 meters from the stone slab. The radius of 63 meters
was measured out accurately. The musical instruments
consisted of 13 drums and six trumpets (Ragdons). Eight
drums had a cross-section of one metere, and a length of
one and one-half meters.
Four drums were medium size with a cross-section of 0.7
meter and a length of one meter. The only small drum had
a cross-section of 0.2 meters and a length of 0.3 meters.
All the trumpets were the same size. They had a length of
3.12 meters and an opening of 0.3 meters.
The big drums and all the trumpets were fixed on mounts,
which could be adjusted with staffs in the direction of
the slab of stone. The big drums were made of 3 mm thick
sheet iron, and had a weight of 150 kg. They were built in
five sections. All the drums were open at one end, while
the other end had a bottom of metal, on which the monks
beat with big leather clubs. Behind each instrument was
a row of monks. When the stone was in position the monk
behind the small drum gave a signal to start the concert.
The small drum had a very sharp sound, and could be
heard even with the other instruments making a terrible
din. All the monks were singing and chanting a prayer,
slowly increasing the tempo of this unbelievable noise.
During the first four minutes nothing happened, then as
the speed of the drumming, and the noise, increased, the
big stone block started to rock and sway, and suddenly
it took off into the air with an increasing speed in the
direction of the platform in front of the cave hole 250
meters high. After three minutes of ascent, it landed on
the platform.
Although Dr Jarl filmed this event, The English
Scientific Society for which Dr Jarl was working allegedly
confiscated the two films and declared them classified;
as such they have never made their way into the public
domain.
In the second account reported by Kjellson, an Austrian
named Linauer stated that in the 1930s he was at a remote
monastery in northern Tibet where he was shown two strange
instruments that could produce weightlessness in stone.
The first was a huge gong, 3.5 meters in diameter, made
from an alloy of three different metals and which made
an extremely low sound when struck. According to Don
Conreaux, a metaphysian and gong master, the essential key
to the gong's force of resonance, and its effectiveness, is
the complete submersion and saturation of a person or
object in layer upon layer of tone-cell multiplication. The
universal gong sound is based upon the musical principle
that all tones of equal amplitude keep resonating, adding
to themselves, to produce cumulative offspring, so to speak.
This is a phenomenon unique to gongs. The second instrument
was also composed of three different metals; but it was a
half-oval shape like a mussel shell, and measured 2 meters
long by 1 meter wide, with strings stretched lengthwise
over its hollow surface. Linauer was informed that it
created an inaudible resonance wave when the gong was struck.
The two instruments were used with a pair of large screens,
positioned so as to form a triangular configuration. The gong
was struck with a large beater to produce a series of brief,
low-frequency sound waves; a monk was then able to lift a
heavy stone block with just one hand. According to Linauer,
the monks told him that this was how their ancestors had
built protective walls around Tibet, and that such devices
could also disintegrate physical matter.
Other Monuments and Legends of Levitation
One monument with interesting acoustic properties is the
Mayan site of Uxmal, which has a 100-foot high pyramid known
as the Pyramid of the Magician. The site also has a legend
associated with it that it was built not by the Mayans but
by a race of dwarves who could merely whistle and move the
stones through the air.
The Greek city of Thebes also has a legend of stones
moved through sound. Early Greek historians wrote that the
walls of Thebes were built by Amphion, a son of Zeus, who
used the sound of his lyre to move the stones through the
air. According to myth and legend, the sound of his lyre
was irresistible to both rocks and to animals, so that
both followed him and his playing. In another tradition it
is said that when he played loud and clear on his golden
lyre, rocks twice as large as him followed in his
footsteps.
The Modern Day Pioneers
An Austrian scientist and inventor, Viktor Schauberger
(1885-1958), also researched the ideas of levitation, and
after observing nature and the environment, proposed that
along with gravity, a separate force that he named levity,
existed. Levity, he theorized controlled the upward movement
of gravity, as well as uplift and growth. Schaubergers
research was based on his studies of the forces of nature.
He noted for example how trout living high in the Alps were
able to move swiftly upstream, against the flow of gravity
as well as leaping up waterfalls over 60 meters high. Time
and time again he observed nature challenge our understanding
of the laws of physics.
Experiments by the Na-is
What makes Schaubergers work interesting is that through his
studies he patented designs that were said to create fr-e
energy by harnessing the forces of nature.
Schaubergers work was developed extensively by the N-zis party
during se-ret tests to create flying saucers. The Naz- party
were of course intent on rediscovering and promoting what
they considered to be the invincible Ar-an ra-e. After the wa-,
Schaubergers work was officially discontinued, and much of
his brilliant research lost although rumors persist that the
Ame-icans continued his work with a high degree of success.
The Hindu Vimanas
The Rama Empire which existed in India around fifteen
thousand years ago was said to contain seven great cities,
known in classical Hindu texts as 'The Seven Rishi Cities'.
According to ancient Indian texts, the people had flying
machines called 'vimanas' which they used as a method of
transportation.
In etymology, the word vimana is purportedly derived from
vamana: "He who is able at three strides to take measure of
the entire earth and hea-ens."
One of Thoths titles was The measurer of the Earth. So
not only is Thoth connected to the monuments of Baalbek,
through his title he seems to be connected to the concept
of flight between the great cities of ancient India.
Coral Castle
Edward Leedskalnin is another 20th century inventor whose
work might hold the key to our rediscovering the science
behind the art of levitation. Leedskalnin single-handedly
constructed his own modern day monument over a thirty year
period; he built the magnificent Coral Castle in the
Ame-ican state of Florida. This amazing structure
incorporates over 1,100 tons of coral rock, and was built
by Leedskalnin single-handedly, without modern lifting
tools or machinery. Leedskalnin claimed to have
rediscovered the principles used to build the pyramids but
attracted a fair amount of suspicion by refusing to divulge
his techniques publicly; although he did write several
articles about how he was able to move blocks weighing
up to 30 tons with no assistance.
An engineer named Chris Dunn studied the contents of
Leedskalnins workshop after his death and hypothesized that
Leedskalnin had been able to generate a radio signal which
caused the coral rock to vibrate at a resonant frequency,
allowing him to use magnets to flip the rocks magnetic
field. These findings are borne out by Leedskalnins own
writings on the subject.
NA-A enters the Arena
The following patent was filed in 1991 for a process called
Containerless Processing, which the application states is a
procedure where a material can be melted and solidified again
through the use of intense sound. According to the application:
An acoustic levitator includes a pair of opposed sound sources,
which have interfering sound waves producing acoustic energy
wells in which an object can be levitated. The phase of one
sound source may be changed relative to the other in order
to move the object along an axis between the sound sources.
An experiment using this technique was flown on two Shuttle
missions and successfully melted and solidified ceramic samples
from about 1000 deg C to about 1500 deg C. This research of
Thomas Danley was featured in a film entitled, Mystery of
the Sphinx, which examined the origins of the Sphinx. As part
of the film, an experiment demonstrating containerless
processing was shot from inside Danleys lab.
clip.
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Alien Implants & Dark Side of the Moon! THE DARK SIDE OF
THE MOON: A MUST-WATCH 52-MINUTE VIDEO!
http://video.google.com/videoplay?docid=3D3288261061829859642
ALIEN IMPLANTS INTERNET VIDEO BY Dr ROGER LE-R
http://video.google.com/videoplay?docid=3D8853730654859664943
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The White Powder Gold of The Ancients (REQUIRED READING...)
Order: www.pureganic.com
http://www.carrboroweb.com/hudsimp.shtml
http://www.carrboroweb.com/hudson.shtml
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Part 2 of 2.
John Winston. johnfw@[EMAIL PROTECTED]
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